Tag Archives: gallerie

He Couldn’t Swim Either

When in Oslo, don’t miss two things: Oslo Opera House and Astrup Fearnely Museum. Here are some messages and impressions from the second one.

This museum has been built between 2006 and 2012 and designed by designed by Renzo Piano Building Workshop. The complex is itself very nordic: very light, very ethereal, very transparent and minimalistic. Or is it just a huge sail? Inside, on the other hand, is colorful and loud, as one of the world most complex and diverse private collections found its place there. The collection itself dates to 1960s and museum displays it not in chronological view but in its full visual richness and expression. I may say that I learned here about Bjarne Melgaard and have never seen before so many damien-hirsts at one place. However, another piece was perhaps more intriguing:

Tom Sachs, “London Calling”, 2004

Is it electric cupboard? Or self-reflection board? Or serves only as a visual composition?

The exhibition is curated in the way that the visitor is engaged herself in the art, from just observing, going and out or avoiding it, to picking up the posters or candies from the floor and taking them with (yes, ‘the art pieces’ they are!).

Or – others are just – honest:

More about it you may found in their own blog.

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Highlights of the Highlights

International art fair “Highlights” in Munich is klein aber fein. It is also very young: established only in 2009 as a joint initiative from several galleries, it still managed to position itself as an important meeting point for true experts in fine and contemporary art. Here one can find icons, ancient Japanese art, contemporary drawings, baroque furniture as well as fine calligraphy from high-end galleries in the region.

I am presenting you my highlights of this year’s Highlights.

Russian malachit vases, Czar workshops in St. Petersburg or Ekaterinenburg, around 1820

Emil Nolde: “Blumen”, around 1930-1935

Ogawa Machiko: “White Vessel with Blue Glass Glaze”, 2009

Corall diamond collier, France, around 1870

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Naked

Naked before the Camera is a small temporary exhibition given in Metropolitan Museum of Art in New York. It evolves around the topic of naked human body in photography, bringing the light to this highly disputed motive in art and depicting it from various angles. Therefore, we see the first female naked bodies and acts, done by French impressionist for the purpose of painting them later on, we see the photographs of dead bodies or bodies in motion, used for medicine and scientific scrutiny, as well photographs of rare skin illnesses or muscular build of athletes, again finding its use in medicine and analyzing human anatomy. One may see also varieties in the technique and media how human body is being portrayed; the proximity of camera, the angle, play of light and shadow, so that the body often has an abstract organic form. It becomes apparent that the photographer wants to tell us something with it. The motives are sometimes banal and show the everyday life, but soon they become more personalized. There we see first attempts in feminist photography as well as gay population. It is interesting – just to see this rather obvious image having its evolution in art in so many unexpected directions and applications and being subject here to artistic investigation.

Eadweard Muybridge, “Boys Playing Leap Frog”, 1883-1886

Brassai, “Nude”, 1931-1934

Man Ray, “Arm”, 1935

Franz Roh, “Nude in Tub”, 1922-1925

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Sarajevo impressions: spikes, mothers and canned beef

I spent recently a beautiful week in Sarajevo. The city was pretty as always (or maybe even prettier): warm, sunny and full of good-mood people. Its artistic articulation took my attention in another area and I have seen rather the opposite.

I have seen the “Spiked” exhibition by young artist Daniel Premec, who is with his 12 aluminum spikes symbolically reflecting on difficulties in Bosnian everyday life but also artistic and cultural one; what all people have to go through in order to stay on the surface.

Daniel Premec, “Spiked”, 2012

I have not seen the photography exhibition “Majke” of two Polish artists, Monika Redzisz i Monika Berežecka, which focused on gender questions, sexual identity, gender equality and stereotypes, feminist ideas, transsexual and intersexual topics. I did see the poster and I found it to be just the right one.

Monika Redzisz i Monika Berežecka, “Matki / Majke”, 2012

… and now a ‘classic’: International Community monument, a over-dimensional canned beef by Nebojsa Seric Shoba, that fed the people of Sarajevo during the war-time. In the meantime, the ‘can’ became one of the favorite landmarks of locals. According to artist, this was a can with “never-confirmed content, expiration date, country of origin, (…) did not have anything better”.

“Monument to the International Community by the grateful citizens of Sarajevo”, 2007

“Monument to the International Community by the grateful citizens of Sarajevo”, 2007

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To me art is about self-acceptance

Before going to dOCUMENTA, I had a privilege (with time) to make a stop in Frankfurt and visit a must-see exhibition of Jeff Koons. Enfant terrible of several decades already and highly disputed and discussed about mega-artist has some amazing shows in Frankfurt and Basel. I had a chance to visit both Liebieghaus, for sculptures, and Schirn Kunsthalle, for his paintings.

Paintings were shown in one big hall and were combined there from several series and time periods, ranging from “Celebration”, “Made in Heaven”, “Antiquity”, just to name few.

Jeff Koons, The Painter, Exhibition in Schirn Kunsthalle

 

However, Koons’ sculptures were the ones that made me think/laugh/look around/smile and again think about them way longer after leaving the space. Not only that his pieces were provocative for themselves (‘balloons’ – that are not; e.g. made of stainless steel, all with ‘creases’, and several tones heavy), but the curatorial design and dramaturgy was amazing. Jeff Koons was placed right in the middle of antique and medieval classics. I have seen his ceramic women taking the bath right in front of renaissance tiles with Venus or Koons Cherubs next to baroque Eros and Psyche. After all, feel free to judge for yourself:

“Popeye”, 2009 – 2011

“Cherubs”, 1991

“Metallic Venus”, 2012

“Hulks (Bell)”, 2004 – 2012

“Woman in Tub”, 1988

 

To me art is about self-acceptance, and once you learn to accept yourself, automatically there’s a transcendence to going outward; it directs you to the acceptance of others, and everything is a metaphor for that acceptance—whether it’s working with objects, or images, or anything from the external world… [It] is a metaphor for the acceptance of others.

— could not agree more with him.

The exhibition is to be seen by 23 September.

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dOCUMENTA(13): constructively intelligent chaos! (part 1)

Last weekend I was at dOCUMENTA(13), a large-scale exhibition that takes place every five years in Kassel. It all started in 1955, in order to bring Germany back from the cultural darkness from Nazi regime into the contemporary art evolution of the actual time. Therefore, dOCUMENTA differs from some more commercially popular biennale in the sense that it often works with a concrete theme that comes from the current societal needs and developments.

This time dOCUMENTA is connecting Kassel with Kabul, Alexandria-Cairo and Banff, and the main theme is “Collapse and Recovery”. The show has been curated by well-known Carolyne Christov-Bakargiev (CCB) and it lasts, as usual, for 100 days.

I was moved there with so many of artworks. What counts (in my humble opinion) is the artistic vision / goal / intension and subsequently personally experience and subconscious reaction.

Goshka Macuga, “Of what it is; of what it is not, that it is not”, 2012

This beautiful work is a tapestry, spread around in a semicircle in the rotunda and showing half-true half-fantasy: a destroyed Dar-ul Aman palace in Kabul with people attending banquet in honour of dOCUMENTA(13), superimposed in the image. Other, rather fantasy images, are combined throughout the tapestry.

Mariam Ghani, “A Brief History of Collapses”, 2011-2012

Mariam Ghani, “A Brief History of Collapses”, 2011-2012

Mariam Ghani shows a 2-channel video installation, in which in both of them a female figure goes through the empty spaces: ruined in Kabul and deserted in Kassel. Mariam narrates in the background about the conflicts and history and philosophical symbolism of both. You get the impression that you see and hear a poetry – very sad one.

Warlimpirrnga Tjapaltjarri, “Untitled”, 2008

During her engagement for Sydney Biennale in 2008, CCB got in contact with these artists of aboriginal background. The paintings shown here go back to the traditional painting style of dotting and applying the colour in a special order so that this somewhat psychedelic impression is created.

Robin Khan & La Cooperative Unidad Nacional Mujeres Saharauis, “The Art of Sahrawi Cooking”, 2012

A lot of interesting  works could be seen outdoors, as here in park Karlsaue, but also in different streets and buildings in Kassel. This one is inviting the visitors to go inside the tent.

(to be continued)

dOCUMENTA will end at 16.09.2012.

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Myself in between the two

In one of my previous posts, I visited Museum Ludwig in Cologne and at the very end found two amazing pieces of Gerhard Richter. He is me, trying to capturing two of his pieces at once.

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Gerhard Richter (1932 - ): 11 Panes, 2003 48 Portraits, 1971 - 1972

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